The ‘culture wars’ that dominate public discourse in the UK turn, very often, on the significance accorded to histories of empire, slavery, and colonialism. What seems to be primarily of concern is the place of such histories in the telling of our national story. In this section, the articles explore different ways in which we could think about the relationship of the past with the present. Specifically, the articles collected here use the frame of ‘reparative histories’ as a potentially more effective way of engaging with complex and contested pasts. They address the idea of a reparatory sociology, colonial photography, representation and indigenous spaces, the gendering of reparative histories, and the need to rethink the welfare state from such a perspective.

In this conversation Abdulrazak Gurnah, winner of the Nobel Prize for Literature (2021), discusses the nature of his fiction and how he became a writer. He outlines the factors that made him become a writer; the themes that he explores in his writing; the nature of his writing style; his literary allusions; the importance of family and the secrets that families keep; and his conception of his reader. The conversation highlights the significance of exile in his work, the ways in which people belong in communities, how frightening isolation can be for individuals, and how people cope in adverse circumstances.