Commentary
From the ‘culture wars’ to reparative histories
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G.K.Bhambra@sussex.ac.uk
![email-image](assets/images/icons/email_icon.png)
m.finn@ucl.ac.uk
Abstract
The ‘culture wars’ that dominate public discourse in the UK turn, very often, on the significance accorded to histories of empire, slavery, and colonialism. What seems to be primarily of concern is the place of such histories in the telling of our national story. In this section, the articles explore different ways in which we could think about the relationship of the past with the present. Specifically, the articles collected here use the frame of ‘reparative histories’ as a potentially more effective way of engaging with complex and contested pasts. They address the idea of a reparatory sociology, colonial photography, representation and indigenous spaces, the gendering of reparative histories, and the need to rethink the welfare state from such a perspective.
Keywords
culture warsempirecolonialismrepresentationphotographygenderwelfare statesreparationssociologyhistoryCopyright statement © The author(s) 2024.
Cite this article Bhambra with Edwards, Finn, Williams (2024), ' From the ‘culture wars’ to reparative histories ', Journal of the British Academy, 12(Issue 1 & 2): a10 https://doi.org/10.5871/jba/012.a10
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Nandini Das, winner of the British Academy Book Prize 2023, discusses her experience of writing her prize-winning book Courting India: England, Mughal India and the Origins of Empire (Bloomsbury, 2023). Courting India offers a fascinating history of Thomas Roe, the first English ambassador to the Mughal Empire, and his four years in India (1615–19), a mission generally judged to be a failure, with Roe failing to make much headway in securing diplomatic relations or trade agreements. Roe did, however, leave an extensive account of his time in India in the form of a journal, which has proved helpful in reconstructing the nature of his encounter with the Mughal court. The Mughal emperor, Jahangir, and his courtiers, seem to have had little interest in Roe, who was regarded as something of an exotic curiosity or an irrelevance. This ground-breaking book provides an insider’s view of a Britain in the making, a country whose imperial seeds were just being sown. It is a story of palace intrigue and scandal, lotteries and wagers that unfolds as global trade begins to stretch from Russia to Virginia, from West Africa to the Spice Islands of Indonesia. At an event held at the British Academy in January 2024, Professor Das discussed the book with Professor Charles Tripp FBA, chair of the Book Prize panel of judges.
The dominant knowledge about African environments informed by Western literature—scientific reports, travelogues, memoirs, journalism, and fiction—has constructed an image of Africa as a pristine wilderness of exotic biodiversity on the verge of destruction due to Africa’s ignorance-based environmental culture. Contrary to this, Wangari Maathai’s and Nadine Gordimer’s environmental discourse, in The Green Belt Movement (2003) and Get a Life (2005), respectively, reveal Africa’s environmental decline as the direct consequence of the long history of colonial and capitalist exploitation of its natural resources, and the transformation of its environment into a resource base for industrial production. Drawing on the theoretical concepts of post-colonial ecocriticism, this article argues that environmental representations are mediated by the ideological configurations that generate them. Consequently, Maathai’s and Gordimer’s environmental discourse repudiates the dominant knowledge of African environments, offering alternative ways of engaging with its ecological issues while highlighting the dangers of capitalist resource exploitation on Africans’ environments, lives, and livelihoods. The image of the environment, in their works, ties politics and ecology together, providing an understanding of how the environment enables a rethinking of socio-political justice in dealing with Africa’s ecological crisis. (This article is published in the thematic collection ‘African ecologies: literary, cultural and religious perspectives’, edited by Adriaan von Klinken, Simon Manda, Damaris Parsitau and Abel Ugba.)
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