Commentary
From the ‘culture wars’ to reparative histories

G.K.Bhambra@sussex.ac.uk

m.finn@ucl.ac.uk
Abstract
The ‘culture wars’ that dominate public discourse in the UK turn, very often, on the significance accorded to histories of empire, slavery, and colonialism. What seems to be primarily of concern is the place of such histories in the telling of our national story. In this section, the articles explore different ways in which we could think about the relationship of the past with the present. Specifically, the articles collected here use the frame of ‘reparative histories’ as a potentially more effective way of engaging with complex and contested pasts. They address the idea of a reparatory sociology, colonial photography, representation and indigenous spaces, the gendering of reparative histories, and the need to rethink the welfare state from such a perspective.
Keywords
culture warsempirecolonialismrepresentationphotographygenderwelfare statesreparationssociologyhistoryCopyright statement © The author(s) 2024. This is an open access article licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International License
Cite this article Bhambra, G.K., Edwards, E., Finn, M. & Williams, F. (2024), ‘From the “culture wars” to reparative histories’, Journal of the British Academy, 12(1/2): a10 https://doi.org/10.5871/jba/012.a10

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Nandini Das, winner of the British Academy Book Prize 2023, discusses her experience of writing her prize-winning book Courting India: England, Mughal India and the Origins of Empire (Bloomsbury, 2023). Courting India offers a fascinating history of Thomas Roe, the first English ambassador to the Mughal Empire, and his four years in India (1615–19), a mission generally judged to be a failure, with Roe failing to make much headway in securing diplomatic relations or trade agreements. Roe did, however, leave an extensive account of his time in India in the form of a journal, which has proved helpful in reconstructing the nature of his encounter with the Mughal court. The Mughal emperor, Jahangir, and his courtiers, seem to have had little interest in Roe, who was regarded as something of an exotic curiosity or an irrelevance. This ground-breaking book provides an insider’s view of a Britain in the making, a country whose imperial seeds were just being sown. It is a story of palace intrigue and scandal, lotteries and wagers that unfolds as global trade begins to stretch from Russia to Virginia, from West Africa to the Spice Islands of Indonesia. At an event held at the British Academy in January 2024, Professor Das discussed the book with Professor Charles Tripp FBA, chair of the Book Prize panel of judges.
In this conversation Abdulrazak Gurnah, winner of the Nobel Prize for Literature (2021), discusses the nature of his fiction and how he became a writer. He outlines the factors that made him become a writer; the themes that he explores in his writing; the nature of his writing style; his literary allusions; the importance of family and the secrets that families keep; and his conception of his reader. The conversation highlights the significance of exile in his work, the ways in which people belong in communities, how frightening isolation can be for individuals, and how people cope in adverse circumstances.

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