Commentary
As though the ’80s never happened – recalibrating value through music
g.born@ucl.ac.uk
Abstract
How can we renew awareness of the civic value of the arts and humanities? This article responds to this question mainly with reference to music. It notes the rise since the 1990s of extrinsic criteria of value evident in sociological, economic and psychological arguments for the significance of music and the arts, which risk a profound instrumentalisation. In reaction, recent defences of the arts stage a stand-off against sociological perspectives, in particular, returning to older humanistic defences. Recalling the growth of interdisciplinary popular music and cultural studies from the 1980s, which unveiled the multivalent relationships between aesthetic and social dimensions of music, sets this polarisation into relief, productively shifting the debate. Music emerges as a vital medium for living, active in differentiated lives, an environment that may alone proffer meaning, pleasure, hope and a sense of collective imaginative and public life amid intensifying anxiety, desperation and the denial of collectivity. (This article is published in the thematic collection ‘The arts and humanities: rethinking value for today—views from Fellows of the British Academy’, edited by Isobel Armstrong.)
Keywords
civic valuemusicartsaestheticssociological perspectivesinstrumentalisationpopular music studiescultural studiesCopyright statement
© The author(s) 2024. This is an open access article licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International LicenseCite this article
Born, G. (2024), ‘As though the ’80s never happened – recalibrating value through music’, Journal of the British Academy, 12(3): a39 https://doi.org/10.5871/jba/012.a39crossref
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The Editors reveal their ambitions for the newly relaunched Journal of the British Academy, including an explanation of the types of articles that it will contain in future. There is also a description of the contents of the double issue with which the Journal is being relaunched.
This kaleidoscope of short pieces derives from two Fellows Engagement Week sessions (2022, 2023) in which speakers from across the British Academy—Theatre Studies, Anthropology, Modern History, History of Science, English, Philosophy, Music—gave ten-minute talks on the civic value of the arts and humanities. The British Academy’s SHAPE acronym, answering the Royal Society’s STEM formulation, understandably stresses the economic importance of arts and humanities in today’s challenging technological world (E is for Economy). The remit of this forum, however, was to remake and reclaim arguments for the civic importance of arts and humanities, recognising that accounts of the arts are often based on 19th-century arguments that no longer have force today. Three themes emerge from this forum: the importance of collaboration, the non-instrumental significance of aesthetic experience, and the centrality of language to civic life. (This article is published in the thematic collection ‘The arts and humanities: rethinking value for today—views from Fellows of the British Academy’, edited by Isobel Armstrong.)
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